Professional Post Production Supervisor for Film & TV

As an experienced Post Production Supervisor specialising in film and television, I offer meticulous oversight of post production workflows, ensuring every project meets quality standards, timelines, and budgets. My role spans managing editors, coordinating VFX integration, sound mixing, and leading colour grading processes to align with each project’s creative vision. Whether you need a seasoned post-production supervisor to handle complex multi-episode series or high-stakes feature films, I ensure seamless communication and a smooth path to a successful final delivery.

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The Gone Girl - Feature Film

Heist S1 & 2 - Weekly TV Series

Uzalo S6 - Daily Telenovela

Skeem Saam S3 - Daily Telenovela

The first in the groundbreaking Umjolo film series, The Gone Girl brought unique challenges in blending social media elements into traditional editing. As Post Supervisor, I aligned the team with the creative producer’s vision and facilitated a cohesive workflow, which allowed the editors to shape a unique, trendsetting style to be continued in subsequent films

This intense, high-stakes series broke new ground in South African action television. I took over as Post Supervisor and, with my editing contributions, earned a nomination for Best Achievement in Editing at the 2017 SAFTAs. Overcoming staffing challenges, I ensured each episode was completed to a high standard, on time, and on budget.

On South Africa’s most-watched daily telenovela, Uzalo, I led the post-production team through a complex migration from Final Cut Pro 7 to Premiere Pro. I established a new workflow to ensure uninterrupted delivery, guiding the team and even editing several episodes myself to maintain quality and meet broadcast deadlines. This is a snippet from one of the episodes I edited.

This season was pivotal as Skeem Saam transitioned from a weekly drama to a daily telenovela. I spearheaded the team’s training in Avid Media Composer, collaborating with the editorial and finishing vendor to facilitate a seamless, efficient workflow transition, ensuring the show maintained its high production value.

Day Ones - Feature Film

For Day Ones, the second film in the Umjolo series, I worked closely with the creative team to refine the storytelling approach while maintaining the unique social-media-inspired editing style established in the first film. We also expanded on the split-screen style, enhancing the visual narrative and delivering a cohesive and engaging follow-up to the series.

My Beginning, My End! - Feature Film

During the post-production of My Beginning, My End!, the third film in the Umjolo series, we faced a unique challenge: client viewing had to occur before the car crash scene was shot. To ensure the preview was engaging, the editor inserted storyboard frames as placeholders, I suggested they enhance it with sound design and voiceover, maintaining immersion for the audience. Continuing the series’ distinctive style, we incorporated social media elements and expanded on the split-screen technique, delivering a seamless and dynamic storytelling experience.